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April 28-May 10, 2014 Join us on Saturday April 28 to see this dynamic 3-instrument exposition of PD synthesis catalogs the past and plots the future of this powerful technique made famous with the CZ-series. As a dynamic 3-instrument exposition of PD synthesis catalogs the past and plots the future of this powerful technique made famous with the CZ-series, The Stonecutter is scheduled to be a unique complement to a customized CZ 50-instrument exhibition. While the showcase is a perfect platform for revealing the true sound of this unique instrument, The Stonecutter will also offer one-of-a-kind sessions where players can experience the intimate music of the most powerful string instrument of all time in a live setting. Mr. David Glessner, Director of Sales and Marketing at Martin Guitar, will be on hand to discuss the possibility of a custom Stonecutter package for the Stones. Custom, meaning a guitar custom made for your personal specifications from the Martin network. Mr. Doug Bernhardt, President and CEO of the Pennsylvania Guitar Workshops, Inc. (PGW), the exclusive distributor of the CZ and Martin instruments, will give the talk: “The CZ 50 – A Living Proof of the Power and Possibilities of Modern Synthesis.” He will also be available to answer questions about the CZ 50. Customers can try the CZ 50 in a live setting during the presentation. There will also be a photo booth on hand to take pictures of yourself and your CZ 50. In addition to the talk and live performance by Mr. Ben Carson of Chicago Blues, The Stonecutter will feature a talk by Mr. John Barrett, Director of Marketing at Ben Barrett Music Company (BBM). Mr. Barrett will discuss what makes the BBM CZ 50 an “instrument of distinction.” A chance to try your hand at painting the instrument will also be included in The Stonecutter! Thursday-Saturday, April 10-12 The Past, Present, and Future of PD Synthesis! From the time the CZ-series was conceived, PD synthesis has been the most dynamic, powerful, and efficient musical technique known to man. Originally conceived as an onboard technique of the famous CZ-series, it has evolved over the past 4 decades and is now applied on many other new instruments with great success. In this talk, an

 

 

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